Thompson Giroux Gallery, Chatham, NY
"En Masse"
December 7 - January 2020
Thompson Giroux Gallery
"Feinberg, Giroux, Parker, Thielen", Chatham, NY
September 28 - November 17, 2019
Foundation Gallery, Columbia Greene Community College, Hudson, NY
"Faculty and Friends"
September 3 - October 3, 2019
Beth Urdang Gallery, Boston, MA
"Jean Feinberg"
March 30 - May 6, 2018
FIT John Reeves Great Hall
"New Views"
FIT Art & Design Faculty Exhibition
February 24 - March 11
VanDeb Editions, Long Island City, NY
Women's History Month Invitational
"Jean Feinberg, Julie Gross, Mary Judge, Margaret Neill, Suzan Shutan, Anita Thatcher"
March 1 - 31, 2018
Beth Urdang Gallery, Boston, MA
"Jean Feinberg"
June 29 - August 6, 2016
John Davis Gallery, Hudson, NY
"Jean Feinberg Works on Paper"
May 28 - June 19, 2016
FIT, John Reeves Great Hall, New York, NY
'New Views", Spring 2016

Thompson Giroux Gallery, Chatham, NY
"En Masse", 2015

Marist College Art Gallery, Poughkeepsie, NY
"Making Light" - Larry Brown Jean Feinberg, November 22 - December 5, 2012
Review Excerpts:

“Your subtle color palette is so appealing...the contrast between the painted surfaces and the found wood sets up a whole series of interesting dialogues relating to number, time, dimensionality, and history. The work is very rich and complex, but achieved with such economy.”
-Rachel Careau, poet, 2016

"Feinberg gravitates toward the frankness of physical fact, so three-dimensional form has a natural appeal for her. But she is also devoted to the poetic implications of surface nuance and color. One of her strengths is an ability to create a pronounced sense of materiality while evoking the immaterial and evanescent. Her work of recent years expresses this duality with increasing clarity."
-David Hornung, artist, author of
Color: A Workshop for Artists and Designers, 2013

“…”Landscape(2)”, which, when combined with the “42 Whites”, make a memorable and intriguing statement on how subtle form and color can affect mood.”
- D. Dominick Lombardi, The New York Times

“An almost sculptural challenge to painting is offered…the gesture into three dimensions keeps its force. Feinberg manages, finally, a lively stand-off between two- and three-dimensional impulses.”
- Carter Ratcliff, Art International

“Feinberg’s subtly hued, rusticated, minimalist constructions are very much in line with the accomplished abstract canvases she has exhibited throughout her career. Her loose, but thoughtful and spatial geometric style has always been concerned with planar color…Her sensitivity to light, shape, and line transforms…”
- Jeanette Fintz, The Artful Mind

“A quiet assurance suffuses Feinberg’s recent work, though she is not a complacent painter…All in all, Feinberg’s new paintings are less aggressive than her previous work and – perhaps in spite of themselves – more seductive.”
- Nancy Princenthal, Artnews

“The fragility and delicacy of these paintings, which does not preclude a real toughness that is evident in the rigor of their attention…their sensuality is chastened by a severe sense of morality of form. It’s as scrupulous a response to the twilight of modernism as any.”
- Barry Schwabsky, Arts

“They have a combination of gestural openness, an acute compositional sense poised on disintegration, and a rippling room-filling light that gives me goose bumps…You know you are in the presence of a real poet of abstract painting when the image pierces your heart before you’ve figured out what you’re looking at.”
- Stephen Westfall, Art in America

“In Feinberg’s work, dread and wonder overlap”
- John Yau, Artforum